| currently listening to: Governor’s Daughter, The Rosebuds, Compulation: Volume One (Pox World Empire), 2003 | LINK
so last night i had the privilege to see some of my favorite musicians perform on one of the biggest stages in Chicago (other than Lallapolooza). The Rosebuds and Bon Iver rocked my world at the Chicago Theater last night and I was lucky enough to be invited to hang out with the bands before they went onstage. Humblebrag aside, Ivan Howard and Kelly Crisp, the leading peeps in The Rosebuds, are old friends of mine and as their careers have blossomed, I have been lucky enough to witness their journey.
back in 2003, my friend Bumbalo (everyone should have a friend named Bumbalo) called to see if i would like to see the band with whom he was touring with and their subsequent headliners, Superchunk. ‘The Rosebuds’? i said… sure, why not. do you need a place to stay while in Boston? and so began a friendship that has lasted a number of different apartments, at least 40+ concerts (as in i’ve seen them that many times), four different states, some design and photo work (i designed the insert to The Rosebuds debut release on vinyl and i shot the photo they used on their first EP band photo), marriages, kids, divorces, playing as the live band at my surprise birthday party, living in the same city, working in the same comedy troupe, and through their numerous drummers (i remember at least 6 of them…).
and almost 10 years down the line, my relationship with Ivan and Kelly had culminated into an amazing opportunity to see them play in front of 3,500 excited concertgoers. and it was fucking epic. i brought along my 5D and my trusty 28mm wide angle lens. I wasn’t there to take concert photos and i didn’t really want to document the whole show for publication. i was there to listen and to watch and to enjoy the music. photos are for work sometimes. the pics posted here are the few that i had the chance to snap.
and did i mention that Bon Iver was the headliner? i met justin vernon about 5 years ago when he toured through our old art space out in Cicero, IL (documented in this post: Mr. Vernon ) with his first band, DeYarmond Edison. if there is any individual out there in the art world who deserves the success that Bon Iver is currently having it is justin. he couldn’t be a nicer dude. did i mention it’s great to catch up with old friends yet? it is indeed.
the show? outstanding. the crowd? amazing. the bands? couldn’t have been nicer, better musicians, or more earnest. highlights? seeing Daniel Hart for the first time in a while (also a former player of The Fort and a great dude who plays with St. vincent from time to time…), meeting MARTTTTYYYY (The Rosebuds doggie…), and catching up and telling funny stories from our former lives. OH… and also… it was great to see some old friends doing what they love doing and making it big. much love.
the lasting impression of the night? just before The Rosebuds took to the stage, Ivan leaned in and told me ‘You know man? you’ve got my dream job’ (referring to working in the auto industry, photographing cars). i looked out over the sea of guitars (Bon Iver tours with like a gazillion) and all of those faces in the crowd and said, ‘Ivan, i’m pretty sure you’ve got mine.’
The Rosebuds sound has evolved from the jangled garage rock of their early years to that of strong indie pop rockers. along the way they have released a number of records, ep’s, and they’ve added songs to various compilations. this tune, off of the Pox World Empire comp titled Compulation Vol. 1, the sound of North Carolina, is one of my favorite Rosebuds tunes. every time i hear, i mumble the chorus for the entire day…
maybe art can sell.
and it keeps me going. ivan’s voice is golden, his guitar playing is driving, the drumming is classic bubblegum pop, and kelly’s keyboards and shouts keep the band and audience going throughout this raveup that could have been recorded during the early 60’s. it’s classic Rosebuds and it’s guaranteed that if i’m in the audience at one of their shows, i will first ask Ivan first for ‘more leg kicks’, then i will demand that they play this tune.
someday i’ll get them to do it again…
| currently listening to: Bones, DeYarmond Edison, Silent Signs, 2002 | LINK
while most of us were sitting comfortably in our various living spaces last night, somewhere down in austin, texas at the SXSW music convention, one of the best bands of the last 15 years was reuniting. and to be completely honest, these guys never really broke up. they may have stopped touring as DeYarmond Edison back in 2005 but really, they’ve stayed close friends ever since and have even shared in each other’s success.
Now let’s start at the beginning. I moved from Raleigh, NC to Chicago, IL in the dead of winter at the end of 2004. Within two weeks of moving to the midwest, I was up and running at a new gig designing pen packaging at uni-ball. Within a few months, four dudes from Eau Claire, WI moved into Raleigh, NC to set up shop as indie heroes. We essentially swapped living arrangements. I feel like a Karma high five happened somewhere in Kentucky as we crossed paths. It would not be the last time.
That band was DeYarmond Edison and before the end of their second year in Raleigh, they broke up. Justin moved back to Eau Claire and recorded his seminal work as Bon Iver. and the rest of the guys ventured on as Megafaun. It was a beautiful yet heart wrenching dissolve of a band that had so much promise, an incredible stage show, an amazing catalog of tunes, and enough touring gear to make a symphony wince.
But before they broke up, they put on one great tour that just happened to have a stop in Chicago at the artist space I was running with a good friend out in Cicero, IL called The Fort. What an amazing show. Emotional Joystick and Collections of Colonies of Bees opened and brought the crowd of 50 people to their knees before DeYarmond took the “stage” (the spot under the string lights…). Old Styles’s were toasted, songs were sung, and friendships were solidified. Todd the mannequin was introduced and held aloft (he was subsequently dropped on Wincek mid keyboard jam from a height of no less than 7 feet). It was a magical time and a magical place. People peed off the side of the building as cans were thrown through the gaping hole in the roof, and some group of kids drove all the way from Eau Claire to see four dudes sing their songs. I’ll never forget it.
So when I see that DeYarmond got back together last night, I raised a glass and toasted their success (BTW, Video can be found here: DeYarmond at SXSW). There couldn’t be a nicer group of guys on the planet and I hope they stick around and make more music for us to enjoy. The photos are from a photo booth I had set up in the corner of our space during the dhow at The Fort. This is a snapshot of one of the best live music nights of my life that peeked with a hardcore/screamo rendition of Clapton’s ‘Tears in Heaven’. I wish i had video of that… Enjoy.
Also, I used to design rock posters… so I threw in four of my DeYarmond Edison posters for posterity.
while The Hold Steady carry the ‘The Wild, The Innocent & The E Street Shuffle,’ Bruce Springsteen torch, DeYarmond Edison occupy the music lexicon as ‘Nebraska’ era flag wavers. Tight knit harmonies, beautiful acoustic melodies, and Justin Vernon’s honest, needy, and strained voice bring the songs home. Their music is as comfortable as The Band with lyrics as honest as Springsteen, and all within a genre as americana and folk as a banjo. Find their music. Listen to it. You’ll be happy you did.
suggested/related listening: Bon Iver, Megafaun, Collections of Colonies of Bees, Gayngs, The Rosebuds, The Bowerbirds, Volcano Choir.