Tag Archives: A.J. Rickert-Epstein

Farnsworth House II

| currently listening to: Panic Switch, Silversun Pickups, Swoon, 2009 | LINK

the photography:

As I mentioned in the last post, The Farnsworth House is an architectural legend. Designed and built by Ludwig Mies van der Rohe, the house is, simply, an icon.

In my last post I showed off images from the interior of the Farnsworth House. Today’s images are a mixture of exterior shots of the house and photos from the set of the Japanese commercial shoot. It was a rather prolific shoot for me as there was always something to look at and different angles to decipher. It was such a great experience as a whole and the amount of excellent photos = many.

Not only did I get to hang inside and outside of said icon, I also got to see a RED camera up close and personal. Combined with a SuperTechno 50 crane, the TV commercial side of the shoot was amazing. What a crazy combination of cool devices. A tip of the hat to A.J. Rickert-Epstein (featured at the helm of the RED controls). He’s a fantastic Director of Photography with an impressive aesthetic eye.

This entire experience was splendid to say the least.

the music:

Alright. Silversun Pickups is one of my guilty guilty guilty pleasures. They have picked up where various ‘Oceans of Guitars’ styled bands left off. One that comes to mind as far as sonic intensity is the Champaign, Illinois indie greats, Hum.

While garnering quality radio play with this single, SSPU has solidified themselves to have at least a couple more records paid for and released by the underdogs at Dangerbird Records. Hook laden shoegaze is hard to come by but this quartet really knows how to put the elements together.

In most shoe gaze bands, a two guitar drone would lead the attack but the SSPU’s employ a keyboardist who fills in the gaps with gigantic blips and chords. But the secret weapon in SSPU arsenal is their bass player, Nikki Monninger. My god. She belongs in the ‘Female Vocal Hall of Fame’ right next to Kim Deal. Right around the 4:29 mark Nikki’s voice overpowers this song and wrestles it to the ground. She really ties the room together.