for trevor

Exposure: 1/40 sec – Aperture: F4 – ISO: 800 – Focal Length: 24mm
Lens: EF24-105mm f/4L IS USM – Camera: Canon 5D

Exposure: 1/250 sec – Aperture: F4 – ISO: 200 – Focal Length: 24mm
Lens: EF24-105mm f/4L IS USM – Camera: Canon 5D

Exposure: 1/25 sec – Aperture: F4 – ISO: 800 – Focal Length: 24mm
Lens: EF24-105mm f/4L IS USM – Camera: Canon 5D

Exposure: 1/800 sec – Aperture: F4 – ISO: 400 – Focal Length: 73mm
Lens: EF24-105mm f/4L IS USM – Camera: Canon 5D

| currently listening to: A New England, Billy Bragg, Life’s a Riot with Spy Vs Spy, 1983 | LINK

the photography:
i had a chance to sit down and chat with another photographer here in chicago about all of our likes and dislikes of the current state of the photography world. our long list of things we chatted about sounds a lot like overheard conversations from beneath a porch at an old people’s home. almost every sentence started with, “kids these days” and finished with “and then you know what he did? he asked if i had ever used film before…” it was fun to blabber on about storage needs (filled last week), digital shortcomings (can’t push and pull, sucks in low light, easy to ruin files, etc.), film’s pains (waiting, hours in the darkroom, silver poisoning, etc), and the cost of crappier products made of plastic and not metal (all camera gear on the market today). but we both agreed that photography will improve and digress like it always has with new equipment and new ways to adjust photos. like the ebb and flow of the tides, we just have to deal with it. and i’m really ok with that! it’s just fun to chew the fat with someone who has been through the same experiences. the four verticals today are from the archives. my grandfather, dirty windows, a foot, and wires are all fun subjects. i also took some much needed advice from bones and i added the camera information back underneath each photo so you can now know the specifics of each shot. ah, the digital world meets traditional film techniques. some things never change.

the music:
billy bragg is one of the most meaningful and under appreciated songwriters in all of musical history. i hold his canon higher than dylan. bragg slips in there amongst the soul giants and great reggae musicians, right above the clash and right below fugazi. this record was originally released with 7 songs, a play time of almost 16 minutes, and it played on 45 rpm as opposed to 33 rpm. it’s fast, witty, poignant, pensive, and straight up bad-ass. a man, his telecaster, and his fender reverb amplifier. that’s it. billy carries the torch of woody guthrie with pride. bragg gets better with age although he has slowed down his torrid pace of anger towards facists. now that bush is out of office, he might have to stop touring and retire in spain. who knows. this is the first real song that i learned to play solo and i belt it out whenever i get on stage.

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