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| currently listening to: Modest Mouse, Ohio, This is a Long Drive for Someone with Nothing to Think About, 1996 | LINK
the photography:
Portrait #36 is brad
well well well. post-child 50 portraits project post? don’t mind if i do… brad is the brains/brawn/style behind one of chicago’s best local websites, Windy Citizen. Windy Citizen is a news site that asks for readers to link to their favorite or most interesting stories and post them for other readers to rate. the higher the stories rate, the closer they are to the top of the page with the highest rated story on top. sometime late last year, i was lucky enough to have this very blog (blog.idmphotography.com) be chosen by a reader to be posted on Windy. it was an honor and a privilege to have readers fight for my words and photos to be at the top of the page. power to the readers!
earlier in the week, brad had contacted me about taking some head shots for him to use professionally. the silly thing is my interactions with brad started back with theresa who had mentioned that brad would be perfect for the 50 Portraits Project. i can’t remember if we emailed and things fell through or what but alas, he is here, finally, and he is standing and being counted. so to brad’s name (not this brad), i attach the #36. and i also set him up with some sweet hi-res pics that he can distribute when needed.
since brad and i were already in the photographing mood and had spent a few minutes smiling and clicking off head shots respectively, i decided to fuss around with my own method of shooting portraits. for if anything, this project exists for me to broaden my horizons and to explore new ideas, methods, and styles. so here’s my take on the photos:
a. i injected my own framing into the shots i took (as i have trained myself to do, ie. my own style) but instead of publishing just one image from a set of 5 or 6 example photos of said framing, i published almost all of the images in order. the biggest example of this being the last 6 photographs, shot in succession within a couple of seconds as a garbage truck rolled by.
b. it was about time someone took some black and whites around here. since it was such a blindingly bright day, i figured what the hell, let’s lose the color and crank the contrast. i think it worked quite well considering the subject, the color of outfit, the shadows and highlights, and most of all, the urban terrain with it’s bricks and concrete and metal.
c. i didn’t edit myself as strongly as i have in the past. there are two (count them… 2!!!!) out of focus images in this set. this is coming from a guy who is so infuriatingly anal and technical about how he uses his gear that it’s unfathomable to use such a wasted piece(s) on such a pristine set of images. but hey, i took a chill pill and look where it got me. these blurred images work artistically with what i was trying to accomplish, which was to create a coherent and expressive set of images of brad. maybe someday i’ll turn the camera around and take a vertical image… but don’t cross your fingers.
the first two images were taken with the 24-70mm f2.8L as we were working on professional head shots for brad. the rest were taken with the 28mm f1.8. all images were shot with the Canon 5DMKII
the music:
modest mouse is one of those indie rock bands that has been around forever. they started small and ended up getting huge. but you know what? their small records with all of the blips and scrapes and out of tune guitars are what i love about modest mouse. the high-gloss mega records they make now? they’re pretty decent. but they lack the authenticity of their early work. when i first saw issac brock in person he was skinny, drunk, and worn out from being on the road for eight months straight with the same three guys in their cramped econoline van. five years later? he was still drunk, but now he was well fed (read a bit pudgy), he was smiling, and you could tell that he was happy to be traveling across the country on his pair of tour buses with his numerous roadies and his six band mates.
i’m not putting issac down for making a living at his art. in no way am i doing that. i applaud him for all that he has rightfully earned. but as even issac knows, the sense of urgency in his playing the guitar, the gut-wrenching heartache that drove his lyrics, and the bombastic personality that led to public band implosions have all but been replaced by personal happiness and leisure. brock is not the first to stumble upon feeling good about themselves after spending so much of their artistic careers feeling shitty. it is why, when artists like the shins, modest mouse, the promise ring, when these bands wear their hearts on their sleeves as twenty-somethings, people can relate to them. fans were there man… they felt that pain in person, in the front row, in the pit. but ten years later, when you try to write happy music about happy times with happy sounding instruments, your early fan base is gonna cry foul. not because you sold out, but because the very thing that hit home with so many of your contemporaries has suddenly been erased for you as an artist. but your fans? they still burn for your misfortunes. they still cry for your breakups. and they still want to get in fights with you at the bar. because when you’re unhappy issac brock, we all can relate to you.
even though i have a mortgage, a child, a wife, a dog, a car, and a 2.5 car garage, i still relate to the traveling musician who stuffs their entire life into a beat up mini-van. don’t get me wrong, modest mouse has payed their dues. i just like the music they made while doing so, much better than their new stuff.
this song is a great ode to Ohio. ohi-o-o-o-o-o-so.
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| currently listening to: Black History Month, Death From Above 1979, You’re a Woman I’m a Machine, 2004 | LINK
the photography:
so polaroid is making a come back huh? awesome. as some of you may know, i collect antique cameras and i own a 4×5 portrait camera. maybe it’s time to spend some more money and make some new memories for my 30′s so teddy can see what kind of household he was born into. my guess is that he’s gonna be pretty non-plussed about how chill we have become. let’s replace the keg tossing contests and bad shiny green short sleeved shirt for a hoodie and a glass of bourbon on the back porch all while sporting a baby bjorn cuddling mister you-know-who. life moves pretty quick sometimes…
more polaroids, more memories. as i look through these it’s hard to not be overcome with my own emotions. jon gilmour, my old roommate, is pictured in many of these. jon (or J-Boy as his father called him or Gilly Gally as some of us were known to utter) passed away 4 years ago. you should check out jongilmour.org if you get a chance. jon was one of those one-in-a-million personalities. and i don’t use that phrase lightly. it still stings to know that i will never run into him at my college reunion or see him at some random zoo with Teddy. i will never be able to say, “hey Tedkins, you see that man over there? the one with the gibbon wrapped around his body? that’s my friend john. we’ve been friends for ages. he’s in a video game, how cool is that”. that sorta shit hits hard.
but that’s the thing about memories and (what i will now mis-name) historical images; you will always have you positive and negative. holy crap, is that some cat’s ass? how did that get in here?
again, the images above are full of people i know, people i knew, and silly things. including one cat’s ass. sorry about that. i hope i burned that green lamé shirt… enjoy.
the music:
death from above 1979 came and went. like a ship in the night, if you blinked, you missed them. if you ever saw them live, you never forgot. is that drummer not wearing a shirt? is it only two of them? is that dude gonna play bass AND keyboards? that drummer is singing? there’s only TWO OF THEM? where is all that sound coming from?
one of my favorite live music photographs happened when i was watching DFA 1979, it is on my website located here. click on the third thumbnail from the left, second one down. that’s right, i’m gonna make you work for it.
drums and bass and amplifiers. dirty distortion. love it.
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| currently listening to: Ruins, Aloha, Home Acres, 2010 | LINK
the photography:
for a few years in the late 90′s and early 00′s, besides shooting b/w and color film for school, i spent much of my time toting around a polaroid instant film camera that i bought for $19.95 at an upstate new york CVS. the height of my polaroid fetish can be pinpointed some time around 2002 when the house that lived in was perfectly suited for a polaroid wall. one such wall was created in the kitchen. every photo i (we, as guests often snagged the camera) took went up on that wall and some word or phrase was written on the photo in Sharpie about what was happening, who was there, wtf, etc… in hindsight, we should never have written on those polaroids. said wall can be seen in some of these images. someday i’ll scan those in as well… but for now, here are the clean ones. at least the first part of them.
as teddy marches forward into life, i am struck by how his new experiences drum up my old ones. nostalgia creeps up in many forms and sometimes it’s fun to go back and see where you’ve been so that you can make some choices in where you will be going.
each of these images is a documented memory linked to something in my life. and looking through them makes me happy to know that teddy will be given the opportunity to make his own set of memories. i am floored and humbled by that idea.
i just hope that when teddy is old enough to document his life, he doesn’t waste as much money as i did on cigarettes and polaroid film… holy crap. what i would buy today…EDIT: ok ok ok… the photos were well worth the cash. i should have stopped smoking 5 years before i did. Teddy, if you’re reading this, spend money on film and beer, not on cigarettes and 3 card monte.
the images above are full of people i know, people i knew, people who are not alive anymore, old girlfriends, old co-workers, old friends, random strangers, binge drinking, music playing, too many self portraits, too much shaky picture taking, poor focus, scratches, road trips, parties, random people who my wife was friends with before i knew my wife, musicians, a couple of airplanes, a cat, a dog, halloween (in general), thanksgiving, a couple of kegs, poker night, roommates, roommates friends, neighbors, fire, one boob grab, an infamous red wall, friends ex-girlfriends, raleigh north carolina, boston massachusetts, saratoga springs new york, bartenders, bar owners, bad haircuts, bad outfits, and three nipples of the male variety.
the music:
ok ok ok… i know… Aloha is the same band i talked about last post… but they are that good. for real. this record is unstoppable.
this is the last song on the record. the chorus is:
waiting for the get-away car that never came.
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| currently listening to: Respect, Otis Redding, Respect 7″ Single, 1965, | LINK
the photography:
i am currently hanging out in my parents dining room amidst the tap-tap-tapping of my wife on my mother’s old white iMac laptop. it’s a fitting scene for a snowy and flipping freezing afternoon in February. the high for today? looking at a whopping 8 degrees above zero. oh crap. days like this prove that mittens are not just for second graders.
we are in vermont to celebrate my sister-in-law’s graduation from college. graduation from college is a special occasion that i have celebrated with friends and family at least a dozen times (only once for myself) and i am always amazed by the jubilation, awe, and just plain “scared shitless” emotions that make the entire day so energized and full of smiles. now if only you could repeat this feeling of accomplishment later on in your life when you could use a little pick-me-up to get you through the doldrums (also known as your “20′s”). i think half the reason so many people go to graduate school is to feel that sense of accomplishment again. i know that if i could celebrate my college graduation over and over and over, i would. even if i had to listen to “i’ve got you babe” every morning for the rest of my life.
as an 18 year old entering the doors of academia, i distinctly remember that college was going to prepare me for the business world that lay ahead of me as an adult. i honestly thought that college was going to prepare me for a career path or at the very least, give me the smallest inkling of what i wanted to do. in fact, college did not do this. in fact, college prepared me with the social tools to be able to STOMACH the business world (not how to navigate it). for these social preparations, i am extremely grateful for my experiences during my four years of school. i just wish that during my senior year one of my professors had taken me aside and reassured me that while i would be trying to navigate this vast and very very serious business world that i would be shipwrecked and marooned at least four times.
for if i had known this, i would not have felt so down upon myself when i was working 50 hours a week and feeling so very alone and unhappy with where i was headed. professional loneliness (for a lack of a better term) is never pointed out as a possibility within the halls of academia. it’s not even mentioned. i think it should be mandatory and embraced. when i left the academic bubble, all i got was a “here’s the alumni network” and a peppy “enjoy your first job!”. strong words to make you feel important and dearly missed but these words hold little water when you resumé lists “Bakery Delivery Driver – six months”, “Freelance newspaper advertisement designer – 2 months”, and (my personal favorite) “Band photographer – 1 band”.
oh well… it’s not planting the flag on the top of the mountain that defines us… it’s the climb. right? right?
photos are with the 5DMKII and my EF 24-105mm f/4.0L USM. i want to say it one more time but it was silly cold outside… 8 degrees yo. sunny, but c’mon. 8 degrees!!!
the music:
whenever i get to hang out at my parents house, people are always chatting. the conversation topics range dynamically from the government (the vermont state secessionist movement is currently high on the list), artists (local photographers are my fave), books (my mom is the head of the board of trustees at the local public library), and the obligatory where-are-they-now-Champlain-Valley-Union-High-School-class-of-1996 check-in. it’s always fun to chew the fat and music is also always on the tip of my father’s tongue when the conversation turns boring. the CD players in the living room and in the cars are always loaded with something fun and exciting. my father’s newest kick? punk rock music with an irish twist. you heard it here first.
edd’s current favorite records:
The Pogues – Rum, Sodomy, and the Lash
Flogging Molly – Swagger
The Dropkick Murphy’s – Blackout
what the what? that’s right… my dad is listening to the Murphy’s. amazing. the man who introduced me to Tom Waits has come full circle and instead of scatting off the quick witted “Step Right Up” he serenades the bar world of broads with “Kiss Me I’m Shit Faced”.
i couldn’t be prouder. but right now i’m kicking back and listening to the original (which i was totally unaware of BTW) Respect by Otis. my friend poor-white-trashley would be proud. hit it otis. hit it.