| currently listening to: Divine Invasion, Trans Am, Liberation, 2004 | LINK
It’s been exactly 3 years, 3 months, and 1 day since I left my position as Staff Photographer and Staff Photo Editor at Cars.com. A lot has happened in that amount of time. I will try to list them briefly here in no particular order:
– Archibald (Archie) Brian Fitzsimmons Merritt was born
– I’ve helped launch 4 new vehicles for Subaru of America while traveling to Iceland & England
– My photography helped launch a ton of Sharpie Products since 2012
– Hefty and Reynolds Consumer Products have used my lifestyle photography extensively
– I shot multiple photographs that were included in Doug Sohn’s Hot Doug’s The Book
– I’ve discovered less hair on my head and more gray hairs within the amount that is left
I guess it could be worse.
I started this blog as an outlet years ago to broadcast the work I was creating that did not have a place to live. It was a landing for any photo projects, fine art, and non-Cars.com photography that I started and wanted to show off. I named it “I am a working artist…” because I wanted to relate to people that being an artist in the real world meant that many times your creativity needed to take a back seat to your production and technical expertise.
Unless, of course, that you are being bankrolled. That would be awesome.
I strive to reopen this part of my career. This blog will once again stand as a creative outlet, a portal, a creative abyss, a photo dump…
Make art. Make Art. Make. ART.
I have followed this band’s career since the late 90’s when two musician friend’s introduced them to me during my last few years of college. The bass, guitar, synth, drums, midi-triggers attack of this three piece intrigued me to no end. I have always want to make as much noise as possible with other musicians in the same way that these three friends do it. Sebastian is also one of the best drummers I have ever seen. Period.
| currently listening to: Panic Switch, Silversun Pickups, Swoon, 2009 | LINK
In my last post I showed off images from the interior of the Farnsworth House. Today’s images are a mixture of exterior shots of the house and photos from the set of the Japanese commercial shoot. It was a rather prolific shoot for me as there was always something to look at and different angles to decipher. It was such a great experience as a whole and the amount of excellent photos = many.
Not only did I get to hang inside and outside of said icon, I also got to see a RED camera up close and personal. Combined with a SuperTechno 50 crane, the TV commercial side of the shoot was amazing. What a crazy combination of cool devices. A tip of the hat to A.J. Rickert-Epstein (featured at the helm of the RED controls). He’s a fantastic Director of Photography with an impressive aesthetic eye.
This entire experience was splendid to say the least.
Alright. Silversun Pickups is one of my guilty guilty guilty pleasures. They have picked up where various ‘Oceans of Guitars’ styled bands left off. One that comes to mind as far as sonic intensity is the Champaign, Illinois indie greats, Hum.
While garnering quality radio play with this single, SSPU has solidified themselves to have at least a couple more records paid for and released by the underdogs at Dangerbird Records. Hook laden shoegaze is hard to come by but this quartet really knows how to put the elements together.
In most shoe gaze bands, a two guitar drone would lead the attack but the SSPU’s employ a keyboardist who fills in the gaps with gigantic blips and chords. But the secret weapon in SSPU arsenal is their bass player, Nikki Monninger. My god. She belongs in the ‘Female Vocal Hall of Fame’ right next to Kim Deal. Right around the 4:29 mark Nikki’s voice overpowers this song and wrestles it to the ground. She really ties the room together.
| currently listening to: Anchored, Starlight Conspiracy, Sounds Like A Silver Holler, 1996 | LINK
so recently i have been broadening my photographic horizons. it’s hard working in an industry (automotive) where you don’t the opportunity to work with a bevy of different scenarios/models/makeup arrays/fashion styles. a car, is in fact at the end of the day, just a car. rubber, glass, and steel. and after four years of photographing over 546 cars in the office (not counting the endless number of cars at auto shows etc) it’s good to find something else to aim your lens at.
now if i were to start blabbing on about an interesting niche in the photographic world it would most definitely be ‘fashion photography’. sigh. these guys have all the fun. beautiful models, amazing and expensive lighting rigs, top notch sets, wads of cash falling out of their pockets, etc… life is good for the fashion photographer. so why not give it a shot?
this exact opportunity arose in the form of my friend Katie Fazio. Katie has started a great little business venture as a personal stylist and as a strong voice for those who are interested in their own personal fashion. her blog can be found here: Katie Keeps it Simple. the above photos were taken on a sunny day in downtown Chicago at Katie’s request so that she could blog about her outfit. i took the opportunity to add my own ‘naturally lit’ style to Katie’s fashion blog and to be honest, i think it works. of course, there will be plenty more opportunities to capture what Katie is wearing so i’ll blog more when i do. and if ever given a budget to pull it off, i would create a seriously bad-ass 18 page spread in Vogue complete with 42 bikini clad background dancers, a tiger, and at least one candle opera all set on top of the Taj Mahal.
but for now, i’m intrigued to take more fashion-forward photos.
Starlight Conspiracy were one of those bands when i was growing up that changed how i looked at music. up until around the time i was 14 or so, music was just a companion to what i was doing. it wasn’t just white noise but it wasn’t a soundtrack yet to my emotional ups and downs. and it wasn’t music’s fault. i was young and interested in whatever everyone else was listening to. i hadn’t let music in.
and somewhere around 14 i heard (not in any particular order) bands like Fugazi, Morphine, Nirvana, Uncle Tupelo, Smashing Pumpkins, Pearl Jam, Tool, Graham Parsons, Rage Against the Machine, and Billy Bragg. Out of my car went all the generic hippie jam crap that i was listening to at the time and in flooded the rawk, the soul-searching, and moving.
when i was 18 i went to the record release show for alternative local darlings/shoegazing heros Starlight Conspiracy’s ‘Sounds like silver holler’. it was one of the most kick-ass shows i had ever been to. they ripped through 10-12 songs before announcing that this would be their last tune. immediately, guitarist Denny Donovan (Drowningman, Slush, 5 Seconds Expired) decided to hang upside down from the rafters using only his feet. bassist Shawn Flanigan followed suit and decided to pry the bass strings off of his Rickenbacker with a drum stick. drummer Brad Searles crashed and banged his way through the song keeping the beat and beating his sticks to splinters. and the ever shy, ever cute (my first real rock girl crush) singer Jan Tofferi stood by the side of the stage and watched the carnage from afar.
it was amazing. i was moved. life changed. live music was never the same. in a good way.
| currently listening to: Governor’s Daughter, The Rosebuds, Compulation: Volume One (Pox World Empire), 2003 | LINK
so last night i had the privilege to see some of my favorite musicians perform on one of the biggest stages in Chicago (other than Lallapolooza). The Rosebuds and Bon Iver rocked my world at the Chicago Theater last night and I was lucky enough to be invited to hang out with the bands before they went onstage. Humblebrag aside, Ivan Howard and Kelly Crisp, the leading peeps in The Rosebuds, are old friends of mine and as their careers have blossomed, I have been lucky enough to witness their journey.
back in 2003, my friend Bumbalo (everyone should have a friend named Bumbalo) called to see if i would like to see the band with whom he was touring with and their subsequent headliners, Superchunk. ‘The Rosebuds’? i said… sure, why not. do you need a place to stay while in Boston? and so began a friendship that has lasted a number of different apartments, at least 40+ concerts (as in i’ve seen them that many times), four different states, some design and photo work (i designed the insert to The Rosebuds debut release on vinyl and i shot the photo they used on their first EP band photo), marriages, kids, divorces, playing as the live band at my surprise birthday party, living in the same city, working in the same comedy troupe, and through their numerous drummers (i remember at least 6 of them…).
and almost 10 years down the line, my relationship with Ivan and Kelly had culminated into an amazing opportunity to see them play in front of 3,500 excited concertgoers. and it was fucking epic. i brought along my 5D and my trusty 28mm wide angle lens. I wasn’t there to take concert photos and i didn’t really want to document the whole show for publication. i was there to listen and to watch and to enjoy the music. photos are for work sometimes. the pics posted here are the few that i had the chance to snap.
and did i mention that Bon Iver was the headliner? i met justin vernon about 5 years ago when he toured through our old art space out in Cicero, IL (documented in this post: Mr. Vernon ) with his first band, DeYarmond Edison. if there is any individual out there in the art world who deserves the success that Bon Iver is currently having it is justin. he couldn’t be a nicer dude. did i mention it’s great to catch up with old friends yet? it is indeed.
the show? outstanding. the crowd? amazing. the bands? couldn’t have been nicer, better musicians, or more earnest. highlights? seeing Daniel Hart for the first time in a while (also a former player of The Fort and a great dude who plays with St. vincent from time to time…), meeting MARTTTTYYYY (The Rosebuds doggie…), and catching up and telling funny stories from our former lives. OH… and also… it was great to see some old friends doing what they love doing and making it big. much love.
the lasting impression of the night? just before The Rosebuds took to the stage, Ivan leaned in and told me ‘You know man? you’ve got my dream job’ (referring to working in the auto industry, photographing cars). i looked out over the sea of guitars (Bon Iver tours with like a gazillion) and all of those faces in the crowd and said, ‘Ivan, i’m pretty sure you’ve got mine.’
The Rosebuds sound has evolved from the jangled garage rock of their early years to that of strong indie pop rockers. along the way they have released a number of records, ep’s, and they’ve added songs to various compilations. this tune, off of the Pox World Empire comp titled Compulation Vol. 1, the sound of North Carolina, is one of my favorite Rosebuds tunes. every time i hear, i mumble the chorus for the entire day…
maybe art can sell.
and it keeps me going. ivan’s voice is golden, his guitar playing is driving, the drumming is classic bubblegum pop, and kelly’s keyboards and shouts keep the band and audience going throughout this raveup that could have been recorded during the early 60’s. it’s classic Rosebuds and it’s guaranteed that if i’m in the audience at one of their shows, i will first ask Ivan first for ‘more leg kicks’, then i will demand that they play this tune.
someday i’ll get them to do it again…
| currently listening to: Slack Motherfucker, Superchunk, s/t, 1990 | LINK
Portrait #39 is anna
anna is one of those few art school attendees who is living the dream. born and raised in the midwest, anna is a graduate of the School of the Art Institute and even though her career is just taking off, she has already designed for some big names including Ecko, Calvin Klein, Kenneth Cole, and Target.
while many teenagers enter art school with dreams of a career in the creative sector, very few actually stick around to see their dream job materialize. anna has been lucky enough to embody the rare combination of hard work, determination, and creative talent… did i mention that she’s talented? but it’s not just talent alone that allows her to run her own clothing design company. while many of us in the creative world struggle with carving out our own space, anna seems to do it effortlessly. am i jealous? of course.
one of the most unique things i learned while hanging out with anna is that she has found a way to stay connected to the community. by finding and utilizing local vendors, (that’s right, all of anna’s clothes are made in chicago) she’s supporting the local economy. that is truly refreshing to hear. in fact, i think more people in the manufacturing world should follow suit.
so how does someone who comes out of art school make it in the real world? how do you move from the creative academic bubble and keep your artistic integrity intact? how do you find a job and keep your eyes on the prize without needing the constant praise and codling that comes from being in school?
from my own experience, you need some realistic goals, a touch of luck, a whole lot of talent, and an intrinsic work ethic that won’t throw the towel in no matter how good quitting sounds. anna has all of these things in spades. some people squeak by on piles of family cash or on their own insane talents (only to implode later under the stress of ONLY being talented). anna is one of the few artists i’ve met who is not only incredibly gifted but who is happy to create AND to work hard to stay afloat. all of this (waves arms around studio wildly) will pay off one day. and that day is coming soon for anna.
please check out her handy work which is located here: Annahovet.com
please check out her collections which are located here: Anna Hovet Collections
if you are interested in ordering, click here: Anna Hovet Shop
ok, so i’m missing Pitchforkmedia’s Festival this weekend. but you know what? i’m not that into a lot of the newer bands that they are supporting these days. do i want to see Guided by Voices again? sure… Neko Case? i’m always down for a Neko set. but do i want to see these bands again with a gigantic crowd, blistering heat, and bad sound? not really. big let downs? i would love to see Fleet Foxes for the first time and see one of my favorite bands, Superchunk, for the twentieth time. but hey… i guess i’ll have to listen to Superchunk on my headphones in the Denver International Airport instead. oh well.
I once met Mac from Superchunk/Merge records before a show in Boston. my friends were on tour with them and they introduced me to him. i’m pretty sure i said something like
‘you got me through high school’
and then ran away like a school girl giggling at the boy she likes.
so i got that going for me. which is cool.
| currently listening to: Learo, You’re a Hole, Archers of Loaf, Icky Mettle, 1994 | LINK
Portrait #38 is tony
i can’t remember who approached whom in my online relationship with tony. we both decided that it was either in reference to early SST bands or Archers of Loaf but we both agree that our shared love of music, culture, and aesthetics (photography and graphic design at the top of the list) has made us, at the very least, compadres. so i thought to myself, why not meet tony in person (IRL for those of you following at home)?
when i first looked up tony’s photography on the interwebs (Don’t Explode) i was grabbed by his attention to detail and the honesty presented in his portraits. my goodness tony can get to the point quickly with his photos. most of his subjects will lay out their life story for you with one deep look into their eyes. tony captures these moments with great precision while giving taking an off-the-cuff relaxed ‘studio-less’ style. it’s no coincidence that he’s quite an accomplished art director and his love of symmetry, colors, patterns, and composition play a large role in his photography.
because tony’s camera work focuses on two niche groups; portraits and skateboarding, i feel that i have found a kindred spirit. many artists these days spread themselves too thin artistically and they forget to practice their craft and focus on the subjects that they love. in trying to make a buck, lots of photographers accept mediocre results in the pursuit of being able to photograph everything for their clients. all of the kind things i said above about tony’s portraiture can also be said about his skateboarding photos as they are world class. you can feel the passion in his work because he is photographing the places he’s been, the people that he surrounds himself with, and the activities that he loves. even if you are not familiar with the subject matter, you can tell when someone truly owns their work.
music and culture can bring people together from all walks of life and tony and i just happened to meet at the end of a gorgeous spring day in chicago. we walked around the Ravenswood corridor right about the time that the light falls off the horizon and the world is left in a soft indirect glow. because we love the same music, because we make art that appeals to us, and because we are sticklers for doing it right the first time, tony and i get along smashingly. i hope that this mutual admiration continues and i seriously can’t wait to buy his first skateboarding coffee table book that encompasses photographs of everything that the modern skating lifestyle has to offer. hats off.
check out some of tony’s design and art direction work at Wellborn Clothing (they are currently undergoing some maintenance) and keep looking for his name in places like Thrasher, TransWorld Skateboarding, and keep an eye out for him up at the Wilson Skate Park this summer. he’ll be the guy with the fisheye 15mm who’s in the right place at the right time.
before eric bachmann was the leader of indie folk rockers Crooked Fingers, he was the tall front man for the lesser known Archers of Loaf. sprung from the depths of the fertile rock soil in Ashville, NC, these four dudes let us know what punk/indie rock guitar interplay could sound like. witty lyrics, odd finger picked guitar noises, and rabid fans made them underground heroes. speaking of underground, Archers are probably known for 2 famous phrases that they coined in their lyrics: 1. The underground is over crowded (written to show that the tube in London was packed) 2. She’s an indie rocker and nothing’s gonna stop her (written about a sassy riot grrrrl for sure).
if you haven’t heard the Archers before, it’s probably time you heard what all the fuss is about. go out and buy Icky Mettle and Vee Vee. you will be happy that you did (regardless of what Pitchforkmedia says…).
‘you’re a nervous brand of metal, i’m a solid state’.
| currently listening to: Take The Skinheads Bowling, Camper Van Beethoven, Telephone Free Landslide Victory, 1985 | LINK
there is something very tangible about learning a trade from someone with deep insight, years of experience, and an updated knowledge of the industry you are studying. the learning process is best described as an open dialog between student and teacher. great learning opportunities arise when both sides bring a desire to be in such a relationship.
as i look back at my schooling it seems funny (read: depressing) that many of my relationships with my teachers were fairly cordial but bordering on the ‘politely frigid’, especially in college. i blame myself for these relationships as i tried my damnedest to put in a solid effort in many courses but the subject matter wasn’t always what i wanted to learn at the time. the story of my life will inevitably read something like this: blah blah blah wasn’t what i wanted to do at the time blah blah blah blah ironically blah blah blah.
coincidentally i didn’t major in art in college. my American Studies BA is doing me a ton of good right now but i digress. even though i focused my work on american history through the eyes of sociologists, anthropologists, musicians, and artists, my real love was art and the study of photography and design. when i received my degree, i was 4 credits shy of an art minor. i never wanted to take those 4 credits because they were only offered for Art History 101. so what was the first thing i did in the 3 semesters after graduation? i went out and took an art history course, a color photography course, and a 20×24 polaroid course. lordy… i feel like people should go to college when they are 24 instead of 18. that way they would appreciate the academics a bit more.
but there was one professor i liked. and i liked him because he liked me and i liked him because he hated me. come to think of it, i think he liked/hated all the kids. he was my photography teacher. we would spend hours in class arguing over aesthetics and arguing over processing film and arguing over the great photographers of the 21st century, it never stopped. now, bear in mind that this was a time before the consumer digital age and DSLR’s were still $10K for the cheap ones. out of all of our (i use our as a collective because discussions in class would involve the entire class) yellings and name callings (oh yes, that happened on many occasions), one of the greatest things he ever taught me was thus:
CHOOSE YOUR PERSPECTIVE. if you don’t like what you see through your lens, move your feet and try again. words of wisdom. to this day, this statement is one of the reasons i love using prime lens’. primes won’t let me cheat on the perspective by zooming in and out. find the perspective you want by putting yourself in the right space to take the photograph you want to take. if you set yourself up right the first time, you’ll never second guess that you should have been three feet to the right, or six inches down. creating your own perspective before you take the photo also allows for less time in the editing process. if you move your feet and and find the right balance through your viewfinder before you take the photo, you won’t have to crop your photos after the fact.
and amazingly, if you take the time to practice taking photographs with a specific camera and a specific lens you will actually get to know the differences between what your eye sees and what it will look like through your camera. you will instinctively know where to plant yourself to get the right perspective. it’s a great feeling knowing that you didn’t spend the day walking around in circles zooming in and out just to get the three photos you wanted. think ahead, move your feet, click the shutter three times, viola. next location.
camper van beethoven is one of the great american art house bands. misunderstood and hard to classify, they spent much of their time making great albums and creating a niche following of diehard fans. and once they broke up (only slightly), their leader went on to have commercial success with his follow up band, Cracker.
like their contemporaries R.E.M., CVB turned out more genre bending music in the 80’s. a quarter of this record is instrumental ska-ditties that show off the brilliance of the up-strum on the guitar. but this track, which takes a mighty swing at the lameness that had become the mid-80’s punk rock cliche, hammers home the humor, the tight musicianship, and the pop sensibilities of this rollicking crew.
instead of fighting? let’s just take the skinheads bowling. awesome… listen for the call and response hilarity that follows.
got big lanes.
| currently listening to: Lifted Bells, June of 44, Four Great Points, 1998 | LINK
these are some test shots from a print campaign shoot i did a few weeks ago. the client was looking for worn hands and an industrial feel. Scooterworks in the Ravenswood Industrial Corridor was the perfect location. rough, dinged, scrapped, scrubbed, metal, wood, oil, grease, you name it, this room had it. i couldn’t have imagined a better spot if i tried.
the shoot was based around an industrial professional who worked with his hands. we made sure to not make it look like he was a DIY’er in his basement but more along the lines of a machinist or a industrial metal worker. the set of hands you see above were from a scooter mechanic who unfortunately didn’t make the final spread but was kind enough to let me test shoot his hands.
the final two shots are of a scooter lift (red metal table top) and of my gear set up around for the shoot. i will always spend money on gear that is unbreakable no matter how heavy it is. my tripod was purchased more than 8 years ago to house my 4×5 portrait camera and boasts aluminium construction. it can extend to over 9′ tall and really fit any job above 2.5′ tall. if i was spending my days backpacking through the Andes i’m sure i’d worry more about a lighter rig but my goodness does this bad-boy do the job right.
and for any of you up and comers out there who are looking to do more studio work, there are two things that i always use… ALWAYS. 1) Photo/Video Sandbags 2) A-Clamps. you’d be amazed at what they can be used for (and even sometimes in tandem). i recommend going to your local hardware store for the A-Clamps as you will save more than $5 a clamp and you should head directly to the photo store/online for the Photo Sandbags. if you can make the sandbags yourself? more power to you. you always want to get the sandbags sewn down the middle that will flop over the leg of a stand to create a solid base for anything you are holding up, especially lights and backdrops. the last thing you want to do is drop a hot 20 lb. light onto the floor or even worse, onto a model. you probably shouldn’t let that happen.
also, if you look closely, you can see a number of dunkin donuts cups littered around the set.
it’s true, ian runs on dunkin.
“often referred to as the punk rock pirates of the math rock world”
– Touch and Go website
wow. formed from members who were/are in Rodan, Crownhate Ruin, Codeine, Hoover, Him, Shipping News, Rex, Sonora, the band June of 44 truly was a super group made from angular guitar riffs, precise drums, repetition, and odd lyrics. its a beautiful mix of everything i love in indie rock. and c’mon, best band name ever? pretty close.
with a repeated chorus of ‘Take Down Your Art’ these guys really do want you to edit yourself, lest you wreck yourself. i’m guessing i have a ways to go before i can critique the art world at large… you should listen to all of June of 44’s records. do it now!