photos and thoughts from a working artist.


» 50 Portraits – 36 / May 7, '10 / 50 Portraits, portraits / Comments (0)

Exposure: 1/160 sec – Aperture: f3.2 – ISO: 100 – Focal Length: 70mm
Lens: EF 24-70mm f/2.8L USM – Camera: Canon 5D MKII

Exposure: 1/200 sec – Aperture: f3.2 – ISO: 100 – Focal Length: 57mm
Lens: EF 24-70mm f/2.8L USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/5000 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/5000 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/6400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/2000 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/500 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/320 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/250 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/320 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/800 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

| currently listening to: Modest Mouse, Ohio, This is a Long Drive for Someone with Nothing to Think About, 1996 | LINK

the photography:

Portrait #36 is brad

well well well. post-child 50 portraits project post? don’t mind if i do… brad is the brains/brawn/style behind one of chicago’s best local websites, Windy Citizen. Windy Citizen is a news site that asks for readers to link to their favorite or most interesting stories and post them for other readers to rate. the higher the stories rate, the closer they are to the top of the page with the highest rated story on top. sometime late last year, i was lucky enough to have this very blog (blog.idmphotography.com) be chosen by a reader to be posted on Windy. it was an honor and a privilege to have readers fight for my words and photos to be at the top of the page. power to the readers!

earlier in the week, brad had contacted me about taking some head shots for him to use professionally. the silly thing is my interactions with brad started back with theresa who had mentioned that brad would be perfect for the 50 Portraits Project. i can’t remember if we emailed and things fell through or what but alas, he is here, finally, and he is standing and being counted. so to brad’s name (not this brad), i attach the #36. and i also set him up with some sweet hi-res pics that he can distribute when needed.

since brad and i were already in the photographing mood and had spent a few minutes smiling and clicking off head shots respectively, i decided to fuss around with my own method of shooting portraits. for if anything, this project exists for me to broaden my horizons and to explore new ideas, methods, and styles. so here’s my take on the photos:

a. i injected my own framing into the shots i took (as i have trained myself to do, ie. my own style) but instead of publishing just one image from a set of 5 or 6 example photos of said framing, i published almost all of the images in order. the biggest example of this being the last 6 photographs, shot in succession within a couple of seconds as a garbage truck rolled by.

b. it was about time someone took some black and whites around here. since it was such a blindingly bright day, i figured what the hell, let’s lose the color and crank the contrast. i think it worked quite well considering the subject, the color of outfit, the shadows and highlights, and most of all, the urban terrain with it’s bricks and concrete and metal.

c. i didn’t edit myself as strongly as i have in the past. there are two (count them… 2!!!!) out of focus images in this set. this is coming from a guy who is so infuriatingly anal and technical about how he uses his gear that it’s unfathomable to use such a wasted piece(s) on such a pristine set of images. but hey, i took a chill pill and look where it got me. these blurred images work artistically with what i was trying to accomplish, which was to create a coherent and expressive set of images of brad. maybe someday i’ll turn the camera around and take a vertical image… but don’t cross your fingers.

the first two images were taken with the 24-70mm f2.8L as we were working on professional head shots for brad. the rest were taken with the 28mm f1.8. all images were shot with the Canon 5DMKII

the music:

modest mouse is one of those indie rock bands that has been around forever. they started small and ended up getting huge. but you know what? their small records with all of the blips and scrapes and out of tune guitars are what i love about modest mouse. the high-gloss mega records they make now? they’re pretty decent. but they lack the authenticity of their early work. when i first saw issac brock in person he was skinny, drunk, and worn out from being on the road for eight months straight with the same three guys in their cramped econoline van. five years later? he was still drunk, but now he was well fed (read a bit pudgy), he was smiling, and you could tell that he was happy to be traveling across the country on his pair of tour buses with his numerous roadies and his six band mates.

i’m not putting issac down for making a living at his art. in no way am i doing that. i applaud him for all that he has rightfully earned. but as even issac knows, the sense of urgency in his playing the guitar, the gut-wrenching heartache that drove his lyrics, and the bombastic personality that led to public band implosions have all but been replaced by personal happiness and leisure. brock is not the first to stumble upon feeling good about themselves after spending so much of their artistic careers feeling shitty. it is why, when artists like the shins, modest mouse, the promise ring, when these bands wear their hearts on their sleeves as twenty-somethings, people can relate to them. fans were there man… they felt that pain in person, in the front row, in the pit. but ten years later, when you try to write happy music about happy times with happy sounding instruments, your early fan base is gonna cry foul. not because you sold out, but because the very thing that hit home with so many of your contemporaries has suddenly been erased for you as an artist. but your fans? they still burn for your misfortunes. they still cry for your breakups. and they still want to get in fights with you at the bar. because when you’re unhappy issac brock, we all can relate to you.

even though i have a mortgage, a child, a wife, a dog, a car, and a 2.5 car garage, i still relate to the traveling musician who stuffs their entire life into a beat up mini-van. don’t get me wrong, modest mouse has payed their dues. i just like the music they made while doing so, much better than their new stuff.

this song is a great ode to Ohio. ohi-o-o-o-o-o-so.



» 50 Portraits – 35 / Feb 15, '10 / 50 Portraits / Comments (1)

Exposure: 1/125 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/50 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/40 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/60 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/100 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/50 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/60 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/40 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/40 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/60 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/50 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/125 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/50 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/50 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/200 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/100 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/125 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/160 sec – Aperture: f1.8 – ISO: 800 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/100 sec – Aperture: f1.8 – ISO: 1000 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/30 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

| currently listening to: Teen Idles, Get Up and Go, Minor Disturbances, 1981 | LINK

the photography:

Portrait #35 is Shannon

holy crap it’s been a while since i’ve posted one of these. if you think i went over board on the pictures… you should see the out takes. it was the toughest group of photos i have ever had to whittle down. jeeeeeez…

i first heard about miss shannon from a mutual friend via twitter. it was a mention here, a twitpic there, and before you know it, i was tracking her down for a chance to model for the the 50 Portraits Project. it’s crazy how social media and the online world works with all the idea-megaphones (blogs), personal advertisements (facebook pages), and instant friend-of-a-friend connections (you may know so-and-so). the fact that i can connect with and follow like-minded people from all over the world and check out their content, view their video blogs, and read about their creative process’ is mind blowing. like minded people should really band together. maybe that’s exactly what i’ve been trying to accomplish with this project. maybe i’ll call it my 50 Peeps Club when all is said and done…

shannon is one of those people that likes stuff that i like. shannon moonlights as a food/horror movie buff who writes and video blogs about the connections she makes between the two. her blog, Slash and Dine, and her videos pair recipes to fit bloody classics. when she’s not enjoying her time in the kitchen (and her time with her BFF #33, Miss Bake and Destroy, she’s styling hair and educating her fellow stylists at a high-end salon in chicago. judging from her personality, her outgoingness, and her overall demeanor, i’m guessing she has a lot of repeat clients who love her work (and that’s without factoring in her expert skills as a stylist). let’s all just agree that shannon is pretty flipping rad ok?!

currently, shannon really loves the color orange. the kitchen walls are covered in the most warming and comforting shade of orange. if given the chance, why not “go big” in the one room of the house that you spend the most amount of time in? any way you slice it (i have a lot of knife jokes…), it works smashingly. her design style and aesthetic shine through from the art work on the walls to the vintage chairs and table to the vases on the half wall. sigh… with all the natural light and spot-on layout, shannon could rent her kitchen to those photographers in need of a kitchen set. it’s totally sweet.

as a side note, it turns out shannon has done some modeling in the past but really? that should surprise no one. this girl has style, style, and more style. it was a pleasure getting to know her and it was a breeze taking pictures as all i had to do was sit back and soak it all in. please make sure to check out her writing and videos at Slash and Dine and at Brutal Snack when you get the chance. as usual, the photos were with the trusty 5DMKII and the always present, 28mm f1.8. cheers.

the music:

if you choose to look beyond the skin-deep visuals of hard core and punk rock in america there is one music scene that sprouted some of the truest bands lyrically, the straightest bands ethically, and the most forward thinking bands musically. since the early 80′s, the Washington D.C. hard core/punk scene has been the birthplace of many of the truly great underground/DIY bands of my generation: Teen Idles, Minor Threat, Rites of Spring, Youth Brigade, Government Issue, Fire Party, The Nation Of Ulysses, Jawbox, Q And Not U, Circus Lupus, and of course, Fugazi (just to name a few…).

Teen Idles is one of the first bands to break the DC scene wide open. this band is why Dischord Records started. this band is why it all came together. and they were pretty impressive. shannon’s framed cover of Minor Threat’s s/t record on the wall in her kitchen kick started my DC review on my iPod. it’s pretty awesome to try to soak up an entire scene via the magic of digital music. looking back, the Teen Idles were raw and powerful, sloppy and trite. but they were just what the youth of DC needed. art needs a catalyst sometimes. in the early 80′s, leaders like Reagan provided that riff. sigh. the kids on the streets today just aren’t that interested in making a difference. that’s a tough truth to swallow…



» 50 Portraits – 34 / Oct 20, '09 / 50 Portraits / Comments (1)

Exposure: 1/125 sec – Aperture: f4.0 – ISO: 500 – Focal Length: 50mm
Lens: EF 24-70mm f/2.8L USM – Camera: Canon 5D

Exposure: 1/250 sec – Aperture: f4.0 – ISO: 500 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/250 sec – Aperture: f4.0 – ISO: 500 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/250 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/100 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/200 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/20 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

| currently listening to: The Melodians, Rivers Of Babylon, Rivers of Babylon, 1970 | LINK

the photography:

Portrait #34 is Jenni

jenni is set to marry 50 Portraits Project subject # 6 and i couldn’t be happier. i first met jenni when i moved to chicago in early 2005. she’s a peach. we’ve been playing scheduling phone tag for weeks so when i sat both james and jenni down for an engagement photo session, i took the opportunity to snap a bunch of jenni by herself. two birds with one stone? you betcha.

one thing i love about jenni is that she’s out in the world making a difference as a pre-school teacher in a public school out on the far west side of chicago. although i have yet to witness her in action, i can only imagine how her calm and understanding demeanor and patient sincerity coupled with her overall positive outlook rubs off on her impressionable kids. i don’t think i’ve ever seen her unhappy or even flustered for that matter as her face always seems to have a smile on it. she’s as cool as the underside of the pillow.

with this coolness comes jenni’s sense of style and fashion. jenni always looks put together (not manufactured) and she always looks the part. unique but not loud. professional but urban hip. classic yet slightly groundbreaking. it’s tough to pinpoint or define her look but her look is definitely defining. jenni is also an avid ohio-an, she’s a THE Ohio State Football fan, (as you can tell) she’s the proud owner of a Chad Ochocinco Bengals jersey, and she’s never shy about skyline chili as it was a staple two years ago at their super bowl party. i can’t wait for the wedding. it’s gonna be epic… and i couldn’t be happier for ms. jenni!

as you can see james sneaks into a bunch of these (he’s not *overbearing! *i just wanted to say overbearing. i photograph james a lot) as does monte. it’s tough to take photos at home and not have monte sneak in. the first photo is with the 24-70mm as i was in the middle of the engagement photo session when i snapped it. it’s hilariously perfect. the rest are shot with the 28mm f1.8. also also perfect. i have never taken photos of someone during the daytime in my downstairs bathroom. it has tons of natural light. it’ll be used again. thank you 1998-era-rehab-chicago-glass-brick sales!

the music:

the Melodians are legends. Bob Marley may be the face of reggae music but he is not the only jamaican musician. many americans believe in this misnomer. as the Sex Pistols visually encapsulated the punk movement of the late 70′s, they were not the only punk band on the planet. it is the same with the Melodians. and with the (once trio) jamaican duo, you get one of my top 10 favorite singers of all times in tony brevett. it helps that tony’s brother was the bass player in the Skatalites (ska music legends the Skatalites). rocksteady, ska, reggae, and dub would be nothing without the beautiful song writing and harmonies of the melodians. truly truly truly amazing.

people need to listen to more jamaican music. i need to listen to more jamaican music. the bass, the melodies, the drums, the beats… awesome. if you have a couple of minutes, check out the Melodians in the present with this video clip.



» 50 Portraits – 33 / Oct 11, '09 / 50 Portraits / Comments (2)

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/100 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/125 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/100 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/160 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/160 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/60 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/60 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/125 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/200 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/60 sec – Aperture: f1.8 – ISO: 400 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

| currently listening to: Jon Spencer Blues Explosion, Greyhound, Orange, 1994 | LINK

the photography:

Portrait #33 is Natalie (and sometimes Teno)

i’m pretty sure that natalie has never had a bad picture taken of her. now i am almost positive that she will argue with the validity of this statement as most modest people should. before i go any further and dump my size 10.5 (size 11 if Adidas) foot into my mouth, i would like to make one defining statement about natalie: she is the most photogenic adult i have ever photographed. i purposefully stated ‘adult‘ because natalie’s son teno has inherited his mother’s photogenic genes.

before i met natalie, i had followed her work online as she writes and edits a great website that caters to a younger generation of kitchen worshipers. at Bake and Destroy, natalie combines here unique take on the world with baking and everything needed in the kitchen. stories, interviews, links to other baking industry peeps, and kitchen centric ideas litter the site with enough content browsing interest to keep you busy for a long time.

at the heart of Bake and Destroy is natalie’s writing. she’s got a BA in journalism from Columbia College and her thoughtful interviews and profiles are aimed at shining a light on chicago’s (and the nation’s) growing interest in everything baking related. the crazy thing is that Bake and Destroy is natalie’s second job. her full time duties? making sure the world uses reusable bags. amazing.

fighting plastic bag abuse, keeping teno and tony in line, and baking the most incredible edibles are all in days work for this fantastic lady. please take the time to visit Bake and Destroy and ReusableBags.com and help put a dent in reducing our plastic bag waste while you put a dent in your local flour and sugar bags. i promise, it’ll be worth your while!

photos were taken with the 28mm f1.8 again. natural sunlight in a kitchen really does make all the difference. thanks to natalie for letting me into her home to meet her wonderful and very photogenic family and also thanks to natalie for sending me home with some cupcakes that just happened to be sprinkled to perfection by the one, the only, mr. teno.

the music:

i saw the JSPE live back in 2001 in boston. i had no idea how rock-n-roll it was to be a heroin addict. amazing. skinny jeans, thrift store tees, and a dirty-patch-covered-falling-apart jean jacket completed the denim tuxedos on all three members (they are called Canadian tuxedos within a hundred mile radius of the northern US border). besides their well documented battle with drugs and the like, the jon spencer blues explosion are possibly one of the loudest bands on the face of the earth. large Orange cabinets and Marshall stacks littered the stage. and they all went to 11 complete with the loudest mic’ing of a drum kit i have ever heard. the bass kick sent shock-waves through your sternum. it was impressive. what? no bass player? who needs one. these guys tore off the roof. this instrumental is the closer to one of their better records. it’s one of those tunes that you hope will never end.

mmmmmm dirty rock and roll, sloppy feedback, dj scratches, heavy bass drums, and keyboards that rip off Dr. Dre… yes please.



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