50 Portraits – 36

Exposure: 1/160 sec – Aperture: f3.2 – ISO: 100 – Focal Length: 70mm
Lens: EF 24-70mm f/2.8L USM – Camera: Canon 5D MKII

Exposure: 1/200 sec – Aperture: f3.2 – ISO: 100 – Focal Length: 57mm
Lens: EF 24-70mm f/2.8L USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/5000 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/5000 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/6400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/2000 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/500 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/320 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/250 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/320 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

Exposure: 1/800 sec – Aperture: f1.8 – ISO: 100 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D MKII

| currently listening to: Modest Mouse, Ohio, This is a Long Drive for Someone with Nothing to Think About, 1996 | LINK

the photography:

Portrait #36 is brad

well well well. post-child 50 portraits project post? don’t mind if i do… brad is the brains/brawn/style behind one of chicago’s best local websites, Windy Citizen. Windy Citizen is a news site that asks for readers to link to their favorite or most interesting stories and post them for other readers to rate. the higher the stories rate, the closer they are to the top of the page with the highest rated story on top. sometime late last year, i was lucky enough to have this very blog (blog.idmphotography.com) be chosen by a reader to be posted on Windy. it was an honor and a privilege to have readers fight for my words and photos to be at the top of the page. power to the readers!

earlier in the week, brad had contacted me about taking some head shots for him to use professionally. the silly thing is my interactions with brad started back with theresa who had mentioned that brad would be perfect for the 50 Portraits Project. i can’t remember if we emailed and things fell through or what but alas, he is here, finally, and he is standing and being counted. so to brad’s name (not this brad), i attach the #36. and i also set him up with some sweet hi-res pics that he can distribute when needed.

since brad and i were already in the photographing mood and had spent a few minutes smiling and clicking off head shots respectively, i decided to fuss around with my own method of shooting portraits. for if anything, this project exists for me to broaden my horizons and to explore new ideas, methods, and styles. so here’s my take on the photos:

a. i injected my own framing into the shots i took (as i have trained myself to do, ie. my own style) but instead of publishing just one image from a set of 5 or 6 example photos of said framing, i published almost all of the images in order. the biggest example of this being the last 6 photographs, shot in succession within a couple of seconds as a garbage truck rolled by.

b. it was about time someone took some black and whites around here. since it was such a blindingly bright day, i figured what the hell, let’s lose the color and crank the contrast. i think it worked quite well considering the subject, the color of outfit, the shadows and highlights, and most of all, the urban terrain with it’s bricks and concrete and metal.

c. i didn’t edit myself as strongly as i have in the past. there are two (count them… 2!!!!) out of focus images in this set. this is coming from a guy who is so infuriatingly anal and technical about how he uses his gear that it’s unfathomable to use such a wasted piece(s) on such a pristine set of images. but hey, i took a chill pill and look where it got me. these blurred images work artistically with what i was trying to accomplish, which was to create a coherent and expressive set of images of brad. maybe someday i’ll turn the camera around and take a vertical image… but don’t cross your fingers.

the first two images were taken with the 24-70mm f2.8L as we were working on professional head shots for brad. the rest were taken with the 28mm f1.8. all images were shot with the Canon 5DMKII

the music:

modest mouse is one of those indie rock bands that has been around forever. they started small and ended up getting huge. but you know what? their small records with all of the blips and scrapes and out of tune guitars are what i love about modest mouse. the high-gloss mega records they make now? they’re pretty decent. but they lack the authenticity of their early work. when i first saw issac brock in person he was skinny, drunk, and worn out from being on the road for eight months straight with the same three guys in their cramped econoline van. five years later? he was still drunk, but now he was well fed (read a bit pudgy), he was smiling, and you could tell that he was happy to be traveling across the country on his pair of tour buses with his numerous roadies and his six band mates.

i’m not putting issac down for making a living at his art. in no way am i doing that. i applaud him for all that he has rightfully earned. but as even issac knows, the sense of urgency in his playing the guitar, the gut-wrenching heartache that drove his lyrics, and the bombastic personality that led to public band implosions have all but been replaced by personal happiness and leisure. brock is not the first to stumble upon feeling good about themselves after spending so much of their artistic careers feeling shitty. it is why, when artists like the shins, modest mouse, the promise ring, when these bands wear their hearts on their sleeves as twenty-somethings, people can relate to them. fans were there man… they felt that pain in person, in the front row, in the pit. but ten years later, when you try to write happy music about happy times with happy sounding instruments, your early fan base is gonna cry foul. not because you sold out, but because the very thing that hit home with so many of your contemporaries has suddenly been erased for you as an artist. but your fans? they still burn for your misfortunes. they still cry for your breakups. and they still want to get in fights with you at the bar. because when you’re unhappy issac brock, we all can relate to you.

even though i have a mortgage, a child, a wife, a dog, a car, and a 2.5 car garage, i still relate to the traveling musician who stuffs their entire life into a beat up mini-van. don’t get me wrong, modest mouse has payed their dues. i just like the music they made while doing so, much better than their new stuff.

this song is a great ode to Ohio. ohi-o-o-o-o-o-so.

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