50 Portraits – 32

Exposure: 1/200 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/3200 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/2500 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/3200 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/3200 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/3200 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/400 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/50 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/80 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

Exposure: 1/250 sec – Aperture: f1.8 – ISO: 200 – Focal Length: 28mm
Lens: EF 28mm f/1.8 USM – Camera: Canon 5D

| currently listening to: The Shins, Sleeping Lessons, Wincing the Night Away, 1995 | LINK

the photography:

Portrait #32 is Kendra

kendra is a student. and with being a student comes student problems. i remember this time in my life as if it were yesterday. a healthy balance of school, school work, social activities, and the creation of art as expression (at least when i was enrolled in art classes) ruled my free time. 9 times out of 10? social activities would win the battle. and let’s be honest, it was much more like a slaughter. kendra is really lucky. she has two very important things going for her.

1) kendra feels naked without her camera 2) kendra is fearless.

i only wish these were a part of my limited repertoire when i was in college. not only do they set kendra apart from her classmates but i feel that they both will be really important to her growth as a photographer (as long as they don’t get her into trouble first…).

when i was in my late teens and early twenties, i dreamed of taking photos as hard hitting as the street photography of Henri Cartier-Bresson, as stunning and stoic as the portraits of Yousuf Karsh, or as decadent and perfectly lit as David LaChapelle. and within the realms of academic reason, i probably could have made photos just like them. the only logistics i was lacking were a) money (easily overcome), b) time (actually a cop out as i wasted so much time in college) and most importantly, c) self-confidence and the unwavering sense to just go ahead and try it. in turn, my photography from college is littered with cheesy metaphors, painted plastic guns, cigarette cases, friends trying their best to look edgy, and dozens of out of focus portraits highlighted by cheap dramatic lighting. my photography portfolio from college can be easily summed up: trite subject choices with promising camera technique.

but you know what, that’s totally cool. that’s what college is for right? practicing? learning? developing? i friggin hope so…

kendra, on the other hand, has a leg up. she already has some fantastic and candid portraits of strangers whose faces could tell a thousand stories. it’s endearing, in this digital age, to have no fear in walking up to people on the street just to chat and take photos. she also takes boatloads of self portraits. i mean, BOATLOADS. it doesn’t happen anymore. courage and self-confidence in your work is, ironically, why i started this 50 Portraits Project in the first place. our meeting was destined.

kendra’s lesson for ian: take risks, get uncomfortable, make it happen

ian’s lesson for kendra: practice leads to jobs which leads to more time and money to practice

kendra’s other lesson for ian: wear more lime green

awesome. photos were taken with the fixed 28mm f1.8 and they were taken in and around the south loop of chicago during some of the best natural light i have ever seen.

the music:

if you don’t like the shins, that’s fine. if you don’t like his voice, that’s fine. if you’re worried about where the band is headed since half of them quit, that’s fine. if you think they are over rated, that’s fine. but i don’t think anyone can deny the power of this song, especially when played live. it’s on par with a lot of great rave-ups from the 90’s and 00’s. but as we close the 00’s chapter at the end of this year, a lot of people (probably mostly critics because they really are the only ones who talk about this stuff) will point to the shins as a gigantic driving force in music. especially in regards to lyrics and sonics. this song combines both.

WATCH THE VIDEO.

5 thoughts on “50 Portraits – 32

  1. Kendra

    One thing when looking back on this, I realize I have more zittiers then I thought I did which makes me feel this weird odd confidence about being that way. Mmm, well thank you for taking them I really enjoyed being a part of this, glad we could learn and lesson each other up, you’ve got a friend in me! Can’t wait to shoot it up and talk again.

  2. Tony Webster

    Wow, she not only feels naked without her camera — she looks it. I don’t think I’ve ever seen her without her Canon! Awesome photos, love the detail. Looks like I need to pick up a 28mm. South Loop, FTW!

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